Sun 16 Sep 2012
It turns out that colorwork on tiny needles is just the perfect thing to keep my hands busy and my brain amused on the train to work (and even on the rare evening at home where there is time to knit between dinner and bed).
I must say that I’m rather smitten with the way the color changes are working out:
The brown started off very dark at the bottom of the corrugated ribbing section, then lightened again, and is now gradually darkening as I knit up the body. The orange is also cycling between very bright, high-contrast spots and darker, almost-brown areas. The color repeats in the yarn are fairly long, though, so the color changes gradually across the sweater, just like leaves turning color in the fall.
I’ve never tried using a variegated yarn in colorwork before, though of course I have seen examples of beautiful Kauni sweaters done using long color repeats. My repeats are much shorter and more subtle (there really are sections where it’s hard to tell the brown from the orange/red, and vice versa), but so far I am really happy with the results.
The one fly in the ointment is the corrugated rib. I absolutely love how it looks, and I think it will do a beautiful job of tying in the green sleeve/side panel yarn with the rest of the sweater body, but if it’s not held firmly in place it does this:
There just does not seem to be any way to make it lay flat. I did quite a bit of reading about corrugated rib before casting on, and the results were unanimous: it doesn’t stretch well, and you should not go down a needle size to knit it. That surprised me, but I knit my swatch and it worked beautifully, so I decided to bow to the wisdom of the internets and knit it on the same size needle.
I’m not sure that the flipping up is a matter of gauge, though I do think that it would have worked out better knit on a smaller needle. Playing with the fabric, I think that the problem might be that I have two layers of very thick fabric (the corrugated rib and the colorwork are both double-thick) separated by 4 rows of stockinette, which is less thick. Those few rows are just enough to make that section of the sweater want to bend, and then the stiffness of the corrugated rib does the rest.
I’m hoping that it will relax into place with blocking, but if it doesn’t I may need to sew in a strip of grosgrain ribbon to hold it in place. If that doesn’t work, I’ll snip a stitch, remove the rib, and reknit it from the top down. A good blocking cures a multitude of wrongs, though, so hopefully it will decide to behave once it’s been finished properly.
What a lovely beginning!! Eagerly awaiting the finished product (January? February?) I just don’t think I could bring myself to knit a whole adult sweater on such tiny needles!!
I love how the colors and pattern are working together, the subtlety of colors together is so very fall and so lovely. A little jealous! 🙂 Will you be publishing this pattern?
I would bet that the blocking will help if not remedy that flipping.
It is stunning! The length of the color repeats is making love to your design.
Grosgrain is always nice on a sweater edge if you don’t need stretch. I endorse that idea!
I have the same problem with the bottom of the Fair Isle Cardigan I started last year! (maybe that’s why I haven’t finished it?) If it doesn’t straighten out with blocking, I’m going to pick up stitches and make it a folded hem.
Love it, love it, love it! You’ve decided me: 2013 will be my first colorwork year!
That is stunning. The execution is even better than the plan looked like it would be, and that’s saying something! (Also, I am very envious of your train time.) I have had the same kind of problem with the transition from corrugated rib to the body of a sweater, and blocking really did help a lot.